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1.
Its so good to see you again And I don’t know how long its been Seems like it was way back when And it’s, so good to see you…see you again. Here we’re back on 45 Let’s have a drink and talk awhile, I’m glad you went the extra mile (yeah) Seeing you just makes me smile We have a way that’s all our own What we have will never grow old You and I will always know Where does the time go? Times may change, but we never do. Kites fly highest against the wind, its where I find you Still waters run deep my friend, And that’s exactly where I am It’s so good to see you. See you again. It’s good to see you again (4xs) When’s its time for you to go Times may get tough, we’re strong, this we’ll always know Our paths will meet again Sometime, but I don’t know when I can’t wait to see you, see you again
2.
Never Wanted 03:11
3.
Path 03:30
I have my local roots but today I wear my walking boots Gonna venture out and see some space that I ain’t seen before. You may not understand, why I taking this lonely path The view is so much better, when you find it on your own Does this path have a heart? I won’t know if I don’t start. We make our path by walking, we take it step by step We make our path by walking, we take it step by step The end is undefined, and this old road seems to wind and wind It’s not a race, no given pace, you may not understand this aint my first time out, see I’ve been around all about Because standing still to me isn’t going anywhere. Does this path have a heart? I won’t know if I don’t start We make our path by walking, we take it step by step We make our path by walking, we take it step by setp
4.
5.

about

The first three tracks were recorded in a similar fashion to our first CD, Edge of the Canvas. Thanks to Jerrid Kruse who did the production work on this EP. These tunes will continue to be a part of our live set list. We also included 2 bonus tracks**, which were recorded a little bit differently. Below is our rationale for these bonus tracks:

**Tracks 4 and 5 (acoustic live tracks) :

Most recorded music we hear today is done digitally. Each instrument and vocal track is recorded with several microphones so the perfect sound can be caught at the most perfect angle. The click of a button along with basic copy and paste features allows modern musicians to create thick layers of sound and even cover up mistakes. It wasn’t always this way.

Not to long ago a musician who wanted to record had to have everything arranged before they could even think about recording. The practice happened on the side not during recording as it is often done today. Studio time was precious and expensive. Studio musicians as well as producers were all on the clock and all on the band leaders dime. Because of the time and expense involved many early recordings had to be done in just a few takes.

The most early jazz and blues recording were often done with one microphone and done on the spot to capture the intimate sound of the moment. These early recordings left the musicians very exposed but also provided a very intimate sound that let listeners here every detail and scratch that was in the room during the recording. If you listen closely to these early recordings you can hear the shuffle of fingertips across the guitar strings and even the drag of a cigarette being smoked during recording.

As a tribute to these inspiring and influential early recordings we have included two tracks recorded live with one microphone. We hoped to capture the same raw yet intimate sound that is often lost in most modern recordings.

credits

released February 11, 2013

OHM is: Mike Couvillon, Jerrid Kruse, Eric Smidt, Tom Buckmiller
All songs written by OHM
Produced by Jerrid Kruse
Thanks to Brolester Records (brolesterrecords.com)
Cover Art: Renee Hennessy (reneephotography.webs.com)
Design: KandEProductions (www.kandeproductions.com)

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One Hundred Mondays Des Moines, Iowa

Mixing rock/blues guitar with progressive drums and distinct vocals, the Des Moines, IA based band, One Hundred Mondays’ is pure rock, both vintage and progressive and will appeal to a wide range of rock enthusiasts.

Jerrid Kruse and Eric Schmidt has joined with Tom Buckmiller and have discovered a rising soulful rock voice in Michael Couvillon and thus, ONE HUNDRED MONDAYS has formed.
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